I'm Laala and I'm 22 years old. This is mainly a book blog: reviews, photographs, quotes. I also post anything that tickles my fancy.
Reach me at distantheartbeats@gmail.com.
I'm the founder and editor in chief of an online literary magazine, Write Me a Metaphor. I'm also a poet, and you can buy my book on Amazon.
My other tumblrs: Discourse on Life | A Burst of Colour | One Door to Another.
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[2009: Books | Movies | Concerts | Theatre] [2010: Books | Movies | Concerts | Theatre]
[2011: Books | Movies | Concerts | Theatre]
~ Monday, December 26 ~
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2011 in Theatre

I definitely saw fewer plays this year than in previous years (I normally average at least four, sometimes up to seven or eight), but it’s been a pretty busy year and I’ve spent a lot less time in London than I usually do. No matter! I saw a couple of great ones.

The Children’s Hour is written by Lillian Hellman and the production I saw starred Keira Knightley and Elisabeth Moss. They were both quite good, although I believe Keira Knightley was better the previous year in The Misanthrope. Being a fan of Mad Men, I enjoyed seeing Elisabeth Moss preform. I didn’t know the plot prior to going in, which I ended up being thankful for. I was glad I went, but I think it could have been improved. I’m reasonably sure that we went to see it nearer the beginning of its production, in which case the kinks would’ve been ironed out within a couple of weeks.

La Sylphide was a ballet I went to see at the infamous Mariinsky Theatre in St Petersburg. Unfortunately I can’t recall the names of the two leading dancers, but it was a mesmerising ballet and the male lead especially was exceptional. When I walked out I wanted to spend my life watching nothing other than ballet. Obviously this wore off, but it was gorgeous. 

I also saw three or four productions at my university, a couple of which were actually extremely good. I’m always amazed at how talented my friends are.

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~ Monday, November 21 ~
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One of the best things I did while I was in St Petersburg was go to the ballet (La Sylphide) in the infamous Mariinsky Theatre. It was absolutely wonderful — the male lead especially took my breath away. For small snatches of time, I thought Rudolph Nureyev had come back from the dead, and from me at least, there can be no higher compliment.  

One of the best things I did while I was in St Petersburg was go to the ballet (La Sylphide) in the infamous Mariinsky Theatre. It was absolutely wonderful — the male lead especially took my breath away. For small snatches of time, I thought Rudolph Nureyev had come back from the dead, and from me at least, there can be no higher compliment.  

(Source: aburstofcolour)

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reblogged via aburstofcolour
~ Monday, January 3 ~
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2010 in Theatre

I’ve linked if I reviewed the play at the time I saw it, and wrote a little ditty if I didn’t.

The Little Dog Laughed

The Misanthrope 

iGod
This was a student production at my university, written and directed by one of my childhood friends. It wasn’t all it could be, but it had an interesting premise. The “iGod” was a modern man, and the people who ‘believed’ in him. It was a play on cults and religion.

The Libertine
This was another student production, but it was more lavish. It was absolutely hilarious, and I thought all my friends did spectacularly. If I hadn’t gone to see it on its last night, I would’ve seen it twice. 

Wicked
I had never seen Wicked, despite wanting to. The circumstances never seem to match up, for some reason. The night I went to see this I happened to be in Victoria near curtain time, and I poked my head into the box office and asked if they had any tickets left. They did, and I got a great seat for what was a wonderful show. I wish I’d seen it with the original Broadway cast, though.

Women, Power & Politics: Then
Women, Power & Politics: Now

Les Miserables*
I had seen Les Mes before. I was on Shaftesbury Ave with not much to do the night before I was flying out, so I decided to rewatch it. Wasn’t as good as the first time I saw it, but definitely had some singers that give me goosebumps.

Tap Dogs
The reason I went was pretty simple: Adam Garcia plus dancing. I almost missed the show, because I wasn’t in London for the large bulk of it, but I’m glad I didn’t. It was absolutely mesmerizing. I really, really loved.  

Deathtrap

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~ Saturday, September 11 ~
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Went to see Deathtrap last night. It’s playing at the Noel Coward Theatre in London, and stars Simon Russell Beale and Jonathan Groff. The play advertises itself as a comedy thriller, and I must say I was a bit apprehensive. I was looking forward to it but comedy thrillers rarely work well, in my opinion.

We had box seats, which for those of you who frequent theatre know is a win/lose situation usually. You get your own box, but you have to sacrifice being able to see the full stage. So it was a wonderful surprise when we sat down and found we were on level with the stage, and had practically no part obstructed from us.

As for the play itself — I’m reminded of a line early on in the play “Even a gifted director couldn’t hurt it”. The two main actors were wonderful. Claire Skinner, who played the wife, left something to be desired, but the other two supporting actors played their roles well. However, it was the writing that was the real hero of the night, the clever dialogue and jokes made me laugh and chortle and clap almost to the point of distracting the actors we were such a short distance from. I can’t remember the last time I attended theatre and was struck by the writing above the acting, sound effects and direction. Deathtrap was a very great experience, and all involved should be proud, but Ira Levin provided them with a play that couldn’t be ruined.

If you live in London I highly suggest getting tickets.

Went to see Deathtrap last night. It’s playing at the Noel Coward Theatre in London, and stars Simon Russell Beale and Jonathan Groff. The play advertises itself as a comedy thriller, and I must say I was a bit apprehensive. I was looking forward to it but comedy thrillers rarely work well, in my opinion.

We had box seats, which for those of you who frequent theatre know is a win/lose situation usually. You get your own box, but you have to sacrifice being able to see the full stage. So it was a wonderful surprise when we sat down and found we were on level with the stage, and had practically no part obstructed from us.

As for the play itself — I’m reminded of a line early on in the play “Even a gifted director couldn’t hurt it”. The two main actors were wonderful. Claire Skinner, who played the wife, left something to be desired, but the other two supporting actors played their roles well. However, it was the writing that was the real hero of the night, the clever dialogue and jokes made me laugh and chortle and clap almost to the point of distracting the actors we were such a short distance from. I can’t remember the last time I attended theatre and was struck by the writing above the acting, sound effects and direction. Deathtrap was a very great experience, and all involved should be proud, but Ira Levin provided them with a play that couldn’t be ruined.

If you live in London I highly suggest getting tickets.

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~ Monday, June 21 ~
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The Tricycle Theatre in London is one of my favourite theatres. It puts on great plays, it’s a small space so it’s always intimate and the cast are always wonderful. Whenever I’m in London I go to see whatever they have on, whether I know the play or not.
This season they’re doing Women, Power and Politics. The theatre is doing twelve short plays, five from a collection called Then and seven from Now. They are done in two performances. I throughly enjoyed it, especially Now, which had me laughing almost the entire time. They were selling the scripts bound (above picture) so I got them as a memento and because some of them were really great and I’d want to read them again sometime.
If you live in London, I suggest you go. 

The Tricycle Theatre in London is one of my favourite theatres. It puts on great plays, it’s a small space so it’s always intimate and the cast are always wonderful. Whenever I’m in London I go to see whatever they have on, whether I know the play or not.

This season they’re doing Women, Power and Politics. The theatre is doing twelve short plays, five from a collection called Then and seven from Now. They are done in two performances. I throughly enjoyed it, especially Now, which had me laughing almost the entire time. They were selling the scripts bound (above picture) so I got them as a memento and because some of them were really great and I’d want to read them again sometime.

If you live in London, I suggest you go. 

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~ Friday, February 5 ~
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Theatre: The Misanthrope

I went to see The Misanthrope Wednesday night. It was playing at the Comedy Theatre in Piccadilly. It’s a modern version of the 17th century comedy by Molière Le Misanthrope. It was adapted by Martin Crimp. Now, I’ve never read the original so I’m not sure how much was changed, or how much of the writing was Crimp. So I’ll just judge the play I saw.

It was really great. Damian Lewis is wonderful, though at certain points he didn’t seem to have control of his voice projection (when he was shouting, for instance). He was great though. Keira Knightley, who I neither like nor dislike, greatly surprised me. Her American accent was perfect, her acting wonderful. The entire cast was really great. I greatly sympathised with Alceste, Lewis’ character, despite his rough edges. He believes that everyone in the world should say what they mean, shouldn’t placate or pretend, and very often wants to just attack everyone in the room. I remember reading John Osbourne’s Look Back in Anger, and all the hype about Jimmy being the first “angry young man”. He wasn’t. Alceste is. I would really, really love for these two plays to put together on a module for comparison and contrast. I’d have a field day with it. Knightley plays an American actress, a newfound celebrity, whose very job thrives on people placating each other. She and Alceste are going out, which, needless to say, results in a few explosive scenes.

It was a great play. It amused me, and I’m glad I went to see it. But I’d just seen The Little Dog Laughed (which, incidentally, starred Knightley’s boyfriend, Rupert Friend) and I just loved that play so much. If I’d seen them the other way around I think I would’ve had a deeper appreciation for The Misanthrope. As it is, I’m just very glad I happened to see The Little Dog Laughed.

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~ Tuesday, February 2 ~
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Theatre: The Little Dog Laughed

I was walking back to the tube station yesterday evening, about to head home, when I walked past the Garrick Theatre, where The Little Dog Laughed is being preformed. I was itching to see some theatre, and I had no pressing reason to go back to the flat, so I went in and asked the box office if they had any tickets left. I got a wonderful seat in the very centre of the sixth row for half price without even asking for a discount, so I was already happy when I sat down.

The play is flat-out hilarious. Touches on plenty of relevant modern topics — hypocrisy in Hollywood and sexuality, specifically — and had a rapport that is incredibly well-written. The actors were all absolutely perfect for their roles. It was brilliantly cast and brilliantly acted. It was the first time in a while I’d seen a non-musical that I felt was so fantastically cast. Tamsin Greig, who plays Rupert Friend’s agent in the play, had several monologues, and she played off the audience’s reactions brilliantly. At one point, she said, “He took me into his masculine arms” — with clear sarcasm on the ‘masculine’ — so I sniggered. Despite the audience laughing together at several points, I was apparently the only one who found this funny enough to snigger, and she actually interrupted herself to say, “Exactly, right?” to the audience, aka to me (I was left half proud, half blushing and wishing I’d held it together).

Another hilarious line that was delivered was “Asking me for my word? You may as well as a prostitute for her cherry”, which I couldn’t help but applaud at, and several of the audience joined me in merriment. During the same conversation, Tamsin Greig says, “A writer with the final cut? I’d rather give firearms to small children!” We got to see both Rupert Friend and Harry Lloyd practically naked, so that’s a bonus. The women were fantastic. I honestly did not expect to be anywhere near as brilliant as it was. In fact, I didn’t even really know what the play was about, apart from knowing what each cast member played.

Where I was seated, there was a couple sitting right in front of me. They were adorable. The kept leaning toward each other to whisper during the half-time break and every now and then the one who was seated in front of me would lay his head on his boyfriend/partner’s shoulder. They were just so cute. Anyway, I mention this because it was interesting to see their reactions to the play. I don’t think I would’ve otherwise been privy to a gay couple’s thoughts on this play (unless I Googled it, or something, I suppose).

Anyway, A+ play. I wholly recommend it if you’re in London. Take yourself down there for the evening, either alone (which is what I did), or with some who will enjoy humour, extravagance and satire. It really is spectacular.

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~ Thursday, December 31 ~
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2009 in THEATRE

Theatre I attended this year.

Three Days of Rain
In the West End. Starring: James McAvoy, Nigel Harman and Lyndsey Marshal. I saw this while it was in previews, and greatly enjoyed it. It probably helped that I am a huge fan of McAvoy’s. I met the cast afterwards and they were all very gracious, signed things and chatted. There were notes, but I expect that from any play in previews.

The Lion King
This was the second time I’d seen this play in the West End. I absolutely adored it the first time round — I had been in the stalls, and was around thirteen perhaps, and just was completely in love. This time I went because a friend wanted to see it, and I booked us a private box, and it was spectacular. Really enjoyed ourselves.

Godspell
This was put on by university students in my town. It was amazing. I couldn’t’ve imaged it to be more spectacular if done by professionals. One of the guys in the play, I forget who, had a voice that made me want to grab him and never let go. He was absolutely mind-blowingly wonderful.

Waiting for Godot
In the West End. Starring: Ian McKellan, Patrick Stewart, Simon Callow and Ronald Pickup. THIS WAS FUCKING BRILLIANT. Oh my God, I was just in awe of how wonderful all these actors were, and the director, and just — I was completely completely in shock. Genuinely one of the best things I’ve ever seen on stage. I met all of them afterwards, and got their signatures — Simon Callow is a darling. He gave me a hug when I said he was wonderful and said I was, too.

Breakfast at Tiffany’s
In the West End. Starring: Anna Friel and Joseph Cross. Very authentic to the book, really well done. It was marred by my having seen the film first, but a genuine delight.

Actor!
In University, by uni students. A couple of my friends were in it. I liked it, but it wasn’t astounding. Either acting-wise or the actual play.

RENT
In our Student Union, by uni students. I went because I adore RENT so much. Cut short, I was sorely disappointed.

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