I don’t tend to like doing lists such as these because normally I find it hard to chose. This year, though, I think there are five stand-out albums that are going to be my favourites for years to come, so I thought I’d share.
In no particular order:

Laura Marling, I Speak Because I Can
I speak because I can, to anyone I trust enough to listen
You speak because you can, to anyone who’ll hear what you say
I really can’t recommend Laura Marling enough. I know she’s gotten her share of attention over the last year or two, and she deserves every allocate. It’s a little depressing that she’s my age (she’s exactly 18 days older than me) and has achieved so much, and is actually enormously talented. This, her second album, is the kind of album I’m sure singer-songwriters work for years to achieve. It contains such perfection, haunting lyrics and soft melodies. She’s releasing a new album next year, which I cannot wait for. When I saw her live this year, I was just so incredibly happy. She sounds exactly as she does on her album, which tickles me because it means her voice isn’t over-produced, or auto-tuned to hell, or any of that shit. I’d see her again in a heartbeat.
It’s hard to accept yourself as someone you don’t desire
as someone you don’t want to be

Arcade Fire, The Suburbs
Kids want to be so hard,
but in my dreams we’re still screaming and running through the yard
I’m not new to Arcade Fire, although I didn’t listen to them or love them with the ferocity created by this album. I just love absolutely everything about it. I love the lyrics and the music. I love his voice. I love the way they play, which has a lazy immediacy — I’m fully aware that’s an oxymoron, but it’s how it feels and I believe it encompasses several generations. I love the way they recorded it, to make the MP3 sound like vinyl. I love that they released it with eight different covers. I love that if you downloaded the album from their website, like I did, you got a host of interactive stuff imbedded into the MP3s (in the “Album Art” bit in iTunes, there were links to what inspired the songs, as well as a changing photograph over imposed with handwritten lyrics to the song). I love, love this album.
I would rather be alone
than pretend I feel alright

The National, High Violet
It takes an ocean not to break
Matt Berninger’s voice. Oh, my God, his amazing, amazing voice. I’d heard Alligator and was lukewarm about them, I didn’t hear Boxer when it came out and then heardthis album. It’s interesting, my introduction to them — because I can’t say I fell in love immediately. I knew there was something interesting about his voice, and the lyrics, and I felt like we would click if given time. So I listened to the album all the way through, and promptly bought it, a week later bought Boxer, and even Alligator. I can’t imagine my iTunes not including The National now. I am so utterly in love with this band, their music and their lyrics. I was actually depressed when I had to leave London a week before they were due to preform, and missed seeing them live. If you’ve heard a song once and been unimpressed, give them another listen. I swear they’ll crawl under your skin and settle in your heart.
I’m too tired to drive anywhere, anyway right now
do you care if I stay?

Sufjan Stevens, All Delighted People EP
So yeah I know I’m still afraid
of letting go of choices I have made
all delighted people raise their hands
The first song I ever heard of Sufjan’s was For the Widows In Paradise, for the Fatherless In Ypsilanti, from “Michigan”, so I’ve been a fan of his for a long time. I know he released The Age of Adz this year, as well, and it’s beautiful — but for me All Delighted People is a gem. The melodies, the backing vocals, his ethereal voice, the lyrics, his homage to Sounds of Silence (Simon & Garfunkel are one of my all-time favourite bands, I’d probably consider killing to see them live), it all comes together so spectacularly. Who else could pull of such a ridiculous mash, and do it to perfection? On his bandcamp, the EP is described thus: All Delighted People is built around two different versions of Sufjan’s long-form epic ballad “All Delighted People,” a dramatic homage to the Apocalypse, existential ennui, and Paul Simon’s “Sounds of Silence.” Existential ennui! YES! I hope he never loses what makes him so different from everyone else. Oh, did I mention the title track is 11:38mins long? And not a second of waste.
Somewhere there’s a room for each of us to grow
and if it pleases you to leave me, just go
stopping you would stifle your enchanting ghost

Eminem, Recovery
‘Cause the way I feel, I’m strong enough to go to the club
or the corner pub, and lift the whole liquor counter up
‘cause I’m raising the bar
I’d shoot for the moon but I’m too busy gazin’ at stars
I feel amazing
This is probably an oddity compared to the other albums on this list, but it belongs on here. I’ve been an Eminem fan for years, I’ve got all his albums, I just adore his turns of phrase and how clever his rhymes and raps are. It’s easy to ignore his talent if you don’t like rap, but he really has a knack for making you sit up and take notice. So I was more than a little disappointed with last year’s Relapse, although I dutifully bought it, and celebrated his turn. Of course, Beautiful off that album is a gorgeous song, but the rest of the album is sorely lacking. This one isn’t. It’s Eminem back on top, with an album full of wonderful songs.
But Marshall is not an egomaniac that’s not his motto
he’s not a desperado he’s desperate, his thoughts are bottled
inside him, one foot on the break, one on the throttle
***
Previous years (again, in no order):
2009
Mumford & Sons, Sigh No More
Paolo Nutini, Sunny Side Up
The XX, xx
White Lies, To Lose My Life
Florence & The Machine, Lungs
2008
Okkervil River, The Stand Ins
Death Cab for Cutie, Narrow Stairs
The Killers, Day & Age
She & Him, Volume One
The Airborne Toxic Event, The Airborne Toxic Event